Chains / Solo mat / Build

Frame, swivel, escape

The forearm frame, the hip swivel and the hip escape in a single line.

Two or three movements in the order they actually happen, so the finish of one is the start of the next.

Phases of this study

  1. Frame. Elbows in, forearms in front.
  2. Swivel. Legs to one side, shoulders down.
  3. Swivel back. Same again, other side.
  4. Post and turn. Near hand to the mat.
  5. Escape. Hips travel away from the post.

Common faults

Frame collapses in the swivel
The arms drop as soon as the legs swing.
Shoulders lift
The swivel becomes a roll and the frame is pointed at the ceiling.
Escape with no space
The hip escape starts before the frame has done anything.

Why it matters

Frame, turn the hips, escape: the three things a bottom athlete does to keep the legs between them and a passer, in the order they happen.

Drill prescription

3 rounds of 45 seconds work with 25 seconds rest. Frame, swivel both ways, escape. Alternate the escape side.

Scope

Solo drill on a mat. No partner, no grips, no weight, no pressure and no resistance are shown. Not coach-verified: a qualified instructor has not reviewed the animation or these notes. The passer is not on the mat, so nothing here shows what the frame or the hips are answering.

Cues the timer will call

  1. Elbows in for the frame.
  2. Shoulders down through the swivel.
  3. Post and travel for the escape.

Movement notes: Forearm frame • solo shape

  1. Side position. Begin on the side, not reaching from a flat back.
  2. Elbows in. Keep the elbows connected to the space near your ribs.
  3. Forearms in front. Present the forearms in front of your torso.
  4. Maintain space. Maintain structure without locking the arms straight.

Watch for. A frame is defined by what it is placed against. Alone, this study can show the shape of the arms and where the elbows sit; it cannot show the direction of force, the contact point or whether the frame would hold.

Movement notes: Guard retention hip movement

  1. Knees up, shoulders down. Lie on your back with the knees over the hips and the feet off the mat.
  2. Swing to one side. Let the legs swing to one side as the pelvis turns; the shoulders stay square on the mat.
  3. Knees back to centre. Pull the knees back over the chest with the hips light.
  4. Swing to the other side. Swing to the other side with the same shoulder discipline.

Watch for. The shoulders stay on the mat while the pelvis turns; a swivel that lifts a shoulder is a roll. There is nothing here to retain against, so this is the hip pattern only, not guard retention.

Movement notes: Hip escape / shrimp

  1. On your back. Start on your back, knees bent, both feet flat on the mat.
  2. Post and load. Post the near hand and turn onto that shoulder as the near foot loads.
  3. Hips travel. Push through the planted foot so the pelvis lifts and travels away from the shoulder.
  4. Reorganize. Bring the top knee back in front of you and reset without pulling on your neck.

Watch for. A hip escape moves the pelvis; sliding the feet while the hips stay put is a different thing. Which side you escape toward, how far, and what the movement answers depend on the partner who is not in this study.

Rehearse, then reflect

Open the visual study to step the phases on the live model. Start slowly using the movement taught by your coach, pause between repetitions and keep the range comfortable. Add the study to a session when you want a timed block, and record one useful observation afterward.

Open the visual study ↗